Tag Archives: Art

Talent is a pursued interest

Like everyone in this pandemic, my social life is mostly driven by Netflix. For some reason, the Bob Ross documentary was recommended to me. Maybe the internet algorhythm discovered I am nostalgic, maybe it aligned my approximate birthdate with his life. Who knows.

What I do know is that his shows made me not only incredibly relaxed, but filled me with the belief that I could do things even if I didn’t believe in myself.

People loved him because he made them believe they could paint. And if people believed they could paint a beautiful mountain or a forest, then maybe they could do things that they didn’t have the confidence to achieve. He made the inaccessible accesssible, and maybe that’s one of the genius attributes of a good teacher.

In one of his interviews, he said that anyone could paint. He didn’t say that anyone could be a Picasso. He just said that anyone could paint. I remember one of my favorite lines from the movie Ratatouille was, “anyone can cook, that doesn’t mean that anyone should!”

Yes, a lot of his paintings look like motel/hotel art. You may have even seen what you think to be a Bob Ross painting at a flea market. In fact, in the documentary they admitted it was nearly impossible to authenticate a true Bob Ross from a fake. But the point is not that he expected himself or others to become world renowned artists. The point was that people could pursue a talent that they didn’t know they had, even if they didn’t have it. And who knows what could become of that.

If my math teacher asked me the right questions about how I think and what I would do in certain mathematical situations, even though I stopped learning math at Algebra II in grade 11, who knows what I could have done? Maybe if he told me that anyone can do math that I might have been good!I

Tom Schimmer, a world renowned expert on assessment, told my teachers recently that every learner had an emotional reaction to the opportunity to be assessed. What Bob Ross did with his audience was to focus their emotions in a way that enabled them to access a creative side of themselves that they didn’t think was possible. In other words, magic.

I work in a school. I don’t want to stand in the way of the pursuit of talent. But too often I feel that we do. I want to be a catalyst for the pursuit of interest, not an obstacle. And most importantly, like Bob, I want to get people to believe in their ability to do something even though they think it’s impossible.

It’s a sad docmentary. It speaks to the consequences of what happens to artists and people that simply love and pursue something without understanding the business side of things and the evil that happens when cunning overwhelms curiosity. I don’t have an answer for that.

But what I do know is that Bob Ross gave people something to believe in that cut across cultures, religions, educational background, and vaccination preference.

He made them believe that they could do something they didn’t think was possible. Even if they made happy mistakes along the way.

Sebastião Salgado: Genesis Project

I was grateful for today’s opportunity to visit Sebastião Salgado’s Genesis exhibition at Centro Cultural Banco de Brasil (CCCB). The legendary Brazilian photographer worked on the Genesis project from 2004 to 2011, engaging with the most remote locations on Earth. He describes his project as “my love letter to the planet,” with the goal of raising awareness about the beauty and majesty of remote regions of the world and the communities who still live according to ancient traditions. The following is a sampling of Sebastião Salgado’s photo exhibition.

Genesis Overview
From http://www.amazonasimages.com

Genesis is a long-term photographic project, in line with the main bodies of work carried out previously by Sebastião Salgado; for example, the series of reportages presented in Workers or the series on the theme of the population movements around the world, that appeared in Migrations. This new project is about our planet earth, nature and its beauty, and what remains of it today despite the manifold destruction caused by human activity. Genesis is an attempt to portray the beauty and the majesty of regions that are still in a pristine condition, areas where landscapes and wildlife are still unspoiled, places where human communities continue to live according to their ancient culture and traditions. Genesis is about seeing and marvelling, about understanding the necessity for the protection of all this; and finally it is about inspiring action for this preservation. The shooting of this series of photographic reportages began in 2004 and is due for completion in 2012.

Sebastião Salgado Biography
From http://www.amazonasimages.com

Sebastião Salgado was born on February 8th, 1944 in Aimorés, in the state of Minas Gerais, Brazil. He lives in Paris. Having studied economics, Salgado began his career as a professional photographer in 1973 in Paris, working with the photo agencies Sygma, Gamma, and Magnum Photos until 1994, when he and Lélia Wanick Salgado formed Amazonas images, an agency created exclusively for his work. He has travelled in over 100 countries for his photographic projects. Most of these, besides appearing in numerous press publications, have also been presented in books such as Other Americas (1986), Sahel: l’homme en détresse (1986), Sahel: el fin del camino (1988), Workers (1993), Terra (1997), Migrations and Portraits (2000), and Africa (2007). Touring exhibitions of this work have been, and continue to be, presented throughout the world.

Sebastião Salgado has been awarded numerous major photographic prizes in recognition of his accomplishments. He is a UNICEF Goodwill Ambassador, and an honorary member of the Academy of Arts and Sciences in the United States. In 2004, Sebastião Salgado began a project named Genesis, aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature.

Together, Lélia and Sebastião have worked since the 1990’s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998 they succeeded in turning this land into a nature reserve and created the Instituto Terra. The Instituto is dedicated to a mission of reforestation, conservation and environmental education.

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Profile: I am currently working as the Head of School at the American School of Brasilia and publish a weekly blog at www.barrydequanne.com.

Photo Credit: Sebastião Salgado